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Smeal essays

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Art Spiegelman's MAUS: A Different Type of Holocaust Literature. Smeal Essays? The Jewish Holocaust, as is the case with events in which the human spirit has been engaged in a fight for survival, produced great works of literature. Elie Wiesel's Night and Primo Levi's Survival in Auschwitz are perhaps the essay, best known examples of smeal this literary tradition. Art Spiegelman's MAUS , published in the 1980s, represents a new kind of literary oeuvre inspired and/or based on the Holocaust. Written by a second generation Holocaust survivor, MAUS fuses the thesis on pak relations, story of the terrible historical occurrence with a Jewish American's struggle to smeal essays forge his own understanding of the brutal extermination of his people by the Nazi regime in the Second World War.

This electronic essay will cover three topics found in the novel: the methods in which second (and third) generations of Holocaust survivors struggle to come to terms with the events of the Holocaust, the unusual form of the book, and the brutal nature of humanity, ever-threatening to obliterate the human race. Comparing Essay? Links to the different sections can be accessed below. Techniques of Remembering the Holocaust by Second Generation Jews. As a result of not having experienced the horrors of the Holocaust like their ancestors did, second generation Jews often sense they must demonstrate their respect and appreciation towards their elders. Indebted to the previous generation, these Jews search for ways in which to smeal honor those martyrs who lost their lives half a century ago. The ways in essay style which this generation pays homage are quite diverse. Many sites on the web, like Aragorn's, are virtual shrines to essays the memories of their ancestors. Others are fully dedicated to the organization of campaigns in order to procure justice in the name of Jewish families whose possessions were seized by comparing two characters, the Nazis during WWII and stored in Swiss banks. Smeal? Click here for an example. Yet another way, non-electronic, is writing a narrative like Art Spiegelman does.

MAUS is a splendid graphic novel, drawn and written by Spiegelman himself, that narrates his father's life during the apa style format paper, Holocaust. His memories come to smeal essays life in character the pages of the book, although they are intertwined with another account. This second narrative, Art's, complements his father's by presenting a portrayal of the life and struggles of a second generation of smeal essays Jewish people whose existences are extremely influenced by the Holocaust despite not being born during its occurrence. This trait separates MAUS from franzen foster, other Holocaust narratives whose limits can only offer one side of the essays, story, one view of the event, one version of the pain. Art's obsession with saving Vladek's story for format posterity is met with some opposition by his father, especially in the opening sequence. Neither Vladek nor Art are able to understand what the other is feeling due to their inability to relate.

Art wonders why his father is so hesitant to allow his life to be the subject of a novel; he is unable to put himself in Vladek's position. He is often frustrated due to this limitation, and often presses his father for answers he is unable to smeal essays provide. At times he shares this frustration, which is sometimes met by sympathy from his father. Franzen On David? This situation is portrayed splendidly by Spiegelman in the panel below: Art is dumbfounded by this particular morsel of his father's narratives.

He attempts to smeal use logic to understand it, but finally gives up when he realizes he just does not understand. His father's final commentary on essay style, the strip, nobody can understand shows how difficult it is not only for essays the second generation, but also for the survivors themselves, to understand the events that transpired in the Holocaust. The evil of the apa style format, Holocaust is unspeakable, unexplainable, but above all, unforgettable. Art realizes that no matter how hard he wishes he had been at Auschwitz to experience the horrors first-hand, he is unable to do so. Committing his thoughts and emotions to a written narrative, the graphic novel MAUS, is the best course of essays action for him, especially since it allows him to combine his story with his father's. The Unusual Structure of MAUS. The graphic novel genre is one of the most fascinating in literature.

While some critics censure the form citing a lack of printed text and comparing two characters essay, the presence of comic-book style drawings, its positive qualities are impressive, especially when the smeal, topic is as difficult as the comparing, Holocaust. MAUS shines due to its impressive ability to smeal speak the unspeakable by using the popular maxim, a picture is the crucible, worth a thousand words, to perfection. The most important distinction between humans and the rest of the smeal essays, animal kingdom is man's ability to understand, reason, and think. Conscience and intelligence are perhaps the thesis on pak china relations, human race's greatest gifts. Since humans possess such qualities, it is often hard to try to essays understand the style, Holocaust without having been there. (This point as illustrated in the previous section, which you may access by smeal, clicking here.) Quite possibly as a method to deal with his own inability to comprehend the paper, events of the Holocaust, Spiegelman uses animal characters instead of essays humans.

The most important two, Germans and Jews, are represented by cats and apa style paper, mice, respectively. Natural sworn enemies, both cat and mice lack reason and conscience. As a result, the Nazi cats find no fault in the systematic killing of Jewish mice. The image is also based on historical quotes, since Jews were called the smeal essays, vermin of society by the Nazis. Other pre-Holocaust Nazi-propraganda can be found at the Calvin University archive, including a short account of Julius Streitcher's actions. Literature Essay? The graphical novel format, in conjunction with the depiction of Nazis as cat and Jews as mice, permits Spiegelman to force the reader to abandon any preconceived notions of human nature. Such an effect would have been quite hard to create if he had written a standard text, attesting to the incredible value of the novel's format. The Holocaust as a Demonstration of smeal essays Man's Brutal Nature. The history of mankind is replete with episodes of mass destruction and killing. This century produced perhaps the greatest example of such atrocities, the Second World War.

It was during this period of unexplainable brutality that both the Jewish Holocaust and the Nagasaki Bombing occurred. These awful events, discussed and regarded in a much different light half a century ago, are analyzed quite divergently now that mankind has had fifty years to ponder on its errors. The Nagasaki Bombing was one of the United States' last actions during the Second World War. Although enacted on Japan instead of Germany, it symbolized much of the anger and essay exams, desire to finish a long, bloody war. The initial joy that followed the devastating detonation of the essays, bomb disappeared in time with the public's realization of the comparative, grave mistake that had been committed. Not only did millions of smeal essays people perish during the apa style paper, Holocaust and immediately after the Nagasaki episode, but many more lost their lives some time afterwards, victims of physical deterioration, mental illness created by the tragic events, and depression brought upon by memories of the essays, horrors. Anja Spiegelman is one such case. She found her demise twenty years after surviving the death camps, a victim of their memories.

In a sense, she did not survive. The estimate of six million Jews is ever-increasing, so the format paper, memories continue. Ironically, these two events, executed by essays, opposite sides of the war, are linked by more than an inmeasurable amount of deaths. Many of the people alive during this time period are in possession of vivid recollections fo the historical occurrences, reflecting a near-unanimous disgust towards the brutalities occurred. Some of the Nagasaki accounts can be accessed at the Remembering Nagasaki web site, while the Jewish ones can be read in reviews of Holocaust literature. While the Holocaust is one of the most horrible episodes of history, it is not one that could or should be forgotten.

Its literary offspring is widely acclaimed, especially the subject of this essay, Art Spiegelman's MAUS . Not only does the book narrate the horrors of the concentration camps located in Poland, it also displays the enormous difficulties of second generation Holocaust survivors to on pak china find a way to come to terms with the horrendous plight of their ancestors. Smeal? Its graphical novel format plays an essential role in making the story come alive, as does the troubled relationship between Vladek and Art. In closing, it must be reiterated that MAUS is not merely a narrative of the Holocaust, but also a story of human suffering and struggle, not just after a devastating experience like the concentration camps, but also afterwards; not just of one generation, but also of the crucible succeeding ones. Lest we forget is a phrase usually mentioned by essays, Jews when referring to the Holocaust. Today's technology and the wonders of the Internet make it easier to maintain a vivid recollection of the Holocaust thanks to its many sites. Some can be accessed through the above documents, while others can be reached here: The United States Holocaust Museum. While the web site pales in comparison to the amount of essay exams information and exhibits in this downtown Washington museum, it is an smeal excellent starting point for Holocaust reference, information, and narratives.

The Cybrary of the Holocaust. One of the first sites devoted in its entirety to the remembrance of the Holocaust, this site not only provides educational and historical resources, but also a search engine dedicated to Holocaust sites. The Holocaust-The World Must Remember. The title says its all. Similar to the above link, this site is updated frequently with the latest on-line Holocaust materials. Yahoo Search Engine-Holocaust. This link lists every site with the word Holocaust in its title. This essay/web page project has been written and built by Antonio S. Oliver for Prof.

Randy Bass' American Literary Traditions class. To contact the author, click here. This site is comparing two characters essay, currently under construction. My other classes and internship are keeping me extremely occupied, but please check back periodically for updates to this document. This page has been created with Netscape Navigator Gold.

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o essay The Vietnam in Me. Z GATOR, VIETNAM, FEBRUARY 1994 -- I'm home, but the house is gone. Not a sandbag, not a nail or a scrap of wire. On Gator, we used to say, the essays, wind doesn't blow, it sucks. Maybe that's what happened -- the wind sucked it all away. My life, my virtue. In February 1969, 25 years ago, I arrived as a young, terrified pfc. on essay, this lonely little hill in Quang Ngai Province. Back then, the place seemed huge and imposing and permanent. A forward firebase for the Fifth Battalion of the 46th Infantry, 198th Infantry Brigade, LZ Gator was home to 700 or 800 American soldiers, mostly grunts. I remember a tar helipad, a mess hall, a medical station, mortar and artillery emplacements, two volleyball courts, numerous barracks and offices and supply depots and machine shops and entertainment clubs.

Gator was our castle. Not safe, exactly, but far preferable to the bush. No land mines here. No paddies bubbling with machine-gun fire. Maybe once a month, for smeal three or four days at a time, Alpha Company would return to two characters essay Gator for stand-down, where we took our comforts behind a perimeter of bunkers and concertina wire. There were hot showers and hot meals, ice chests packed with beer, glossy pinup girls, big, black Sony tape decks booming We gotta get out of this place at smeal essays decibels for essay the deaf.

Thirty or 40 acres of smeal essays, almost-America. With a little weed and a lot of beer, we would spend the days of thesis on pak, stand-down in smeal essays, flat-out celebration, purely alive, taking pleasure in our own biology, kidneys and livers and lungs and legs, all in their proper alignments. We could breathe here. Essay? We could feel our fists uncurl, the smeal, pressures approaching normal. The real war, it seemed, was in another solar system. By day, we'd fill sandbags or pull bunker guard. In the evenings, there were outdoor movies and two characters sometimes live floor shows -- pretty Korean girls breaking our hearts in their spangled miniskirts and smeal high leather boots -- then afterward we'd troop back to the Alpha barracks for some letter writing or boozing or just a good night's sleep. So much to remember. The time we filled a nasty lieutenant's canteen with mosquito repellent; the sounds of choppers and artillery fire; the slow dread that began building as word spread that in comparing two characters essay, a day or two we'd be heading back to the bush. Pinkville, maybe. The Batangan Peninsula.

Spooky, evil places where the land itself could kill you. Now I stand in this patch of weeds, looking down on what used to be the old Alpha barracks. Amazing, really, what time can do. You'd think there would be something left, some faint imprint, but LZ (Landing Zone) Gator has been utterly and forever erased from the earth. Nothing here but ghosts and wind. t the foot of Gator, along Highway 1, the little hamlet of Nuoc Man is smeal going bonkers over on pak china, our arrival here. As we turn and walk down the hill, maybe 200 people trail along, gawking and chattering, the smeal, children reaching out to the crucible character touch our skin. Through our interpreter, Mrs. Le Hoai Phuong, I'm told that I am the first American soldier to return to this place in the 24 years since Gator was evacuated in 1970.

In a strange way, the occasion has the feel of essays, a reunion -- happy faces, much bowing. Me Wendy, says a middle-aged woman. Another says, Flower. Wendy and Flower: G.I. Essay Exams? nicknames retrieved from a quarter-century ago. An elderly woman, perhaps in essays, her late 70's, tugs at my shirt and says, My name Mama-san. Dear God. We should've bombed these people with love. AMBRIDGE, MASS., JUNE 1994 -- Last night suicide was on my mind. Not whether, but how. Tonight it will be on my mind again. Now it's 4 A.M., June the 5th.

The sleeping pills have not worked. Comparing Essay? I sit in my underwear at smeal this unblinking fool of style exams, a computer and try to wrap words around a few horrid truths. I returned to Vietnam with a woman whose name is Kate, whom I adored and have since lost. She's with another man, seven blocks away. This I learned yesterday afternoon. My own fault, Kate would say, and she would be mostly right. Not entirely. In any case, these thoughts are probably too intimate, too awkward and embarrassing for public discussion. But who knows? Maybe a little blunt human truth will send you off to church, or to confession, or inside yourself.

Not that it matters. For me, with one eye on these smooth yellow pills, the world must be written about smeal, as it is franzen on david foster or not written about at all. Z GATOR, FEBRUARY 1994 -- By chance, Kate and I have arrived in Nuoc Man on a day of annual commemoration, a day when the smeal essays, graves of the local war dead are blessed and repaired and decorated and wept over. The village elders invite us to a feast, a picnic of on david foster, sorts, where we take seats before a low lacquered table at an outdoor shrine. Children press up close, all around. Smeal Essays? The elders shoo them away, but the shooing doesn't do much. I'm getting nervous. The food on essay style exams, display seems a bit exotic. Not to my taste.

I look at essays Kate, Kate looks at me. China? Number one chop-chop, an smeal old woman says, a wrinkled, gorgeous, protective, scarred, welcoming old woman. Number one, she promises, and nudges Kate, and smiles a heartbreaking betel-nut smile. I choose something white. Fish, I'm guessing. I have eaten herring; I have enjoyed herring. This is not herring. There are decisions to be made.

The elders bow and essay style exams execute chewing motions. Do not forget: our hosts are among the smeal, maimed and widowed and orphaned, the bombed and rebombed, the recipients of white phosphorus, the essay exams, tenders of graves. Chew, they say, and by God I chew. Kate has the good fortune to find a Kleenex. She's a pro. She executes a polite wiping motion and it's over for her. Eddie Keating, the Times photographer whose pictures accompany this text, tucks his portion between cheek and gum, where it remains until the essays, feast concludes. Me -- I imagine herring.

I remember Sunday afternoons as a boy, the Vikings on TV, my dad opening up the paper, crackers and creamed herring, passing it out at halftime. Other flashes too. LZ Gator's mortar rounds pounding this innocent, impoverished, raped little village. Eight or nine corpses piled not 50 yards from where we now sit in friendly union. I prepare myself.

Foul, for sure, but things come around. Nuoc Man swallowed plenty. HE SONG TRA HOTEL, QUANG NGAI CITY, FEBRUARY 1994 -- It's late in the evening. The air-conditioner is at full Cuban power. Kate's eyes sparkle, she's laughing. Swallowed! she keeps saying. In 1969, when I went to war, Kate was 3 years old.

Kennedy, Johnson, Nixon, McNamara, Bunker, Rogers, Bundy, Rusk, Abrams, Rostow -- for her, these names are like the listings on a foreign menu. Some she recognizes not at all, some she recalls from books or old television clips. But she never tasted the dishes. She does not know ice cream from Brussels sprouts. Smeal? Three years old -- how could she? No more than I could know the Southern California of her own youth. Still, it was Kate who insisted we come here. I was more than reluctant -- I was petrified, I looked for excuses. Bad dreams and so on.

But Kate's enthusiasm won me over; she wanted to share in my past, the exams, shapes of things, the smells and sunlight. As it turns out, the sharing has gone both ways. In any other circumstances, I would have returned to essays this country almost purely as a veteran, caught up in memory, but Kate's presence has made me pay attention to the details of here and now, a Vietnam that exists outside the old perimeter of war. She takes delight in things alive: a chicken wired to literature comparative essay someone's bicycle, an old woman's enormous fingernails, an infant slung casually on the hip of a tiny 7-year-old girl. Kate has the eyes and spirit of an adventurer, wide open to smeal the variety of the world, and these qualities have pushed me toward some modest adventurism of comparing, my own. Now I watch her fiddle with the air-conditioner.

Swallowed! she keeps saying. Later in smeal, the night, as on many other nights, we talk about the comparative essay, war. I try to explain -- ineptly, no doubt -- that Vietnam was more than terror. Smeal? For me, at least, Vietnam was partly love. With each step, each light-year of a second, a foot soldier is always almost dead, or so it feels, and in such circumstances you can't help but love. You love your mom and dad, the Vikings, hamburgers on the grill, your pulse, your future -- everything that might be lost or never come to be. Intimacy with death carries with it a corresponding new intimacy with life.

Jokes are funnier, green is greener. You love the musty morning air. You love the miracle of your own enduring capacity for love. You love your friends in Alpha Company -- a kid named Chip, my buddy. He wrote letters to my sister, I wrote letters to his sister. Format For Thesis Paper? In the rear, back at Gator, Chip and I would go our separate ways, by color, both of us ashamed but knowing it had to be that way. In the bush, though, nothing kept us apart. Black and White, we were called. In May of 1969, Chip was blown high into a hedge of bamboo.

Many pieces. I loved the guy, he loved me. I'm alive. He's dead. An old story, I guess.

AMBRIDGE, JUNE 1994 -- It's 5:25 in the morning, June 7. I have just taken my first drug of the day, a prescription drug, Oxazepam, which files the edge off anxiety. Thing is, I'm not anxious. I'm slop. This is despair. This is a valance of essays, horror that Vietnam never approximated.

If war is hell, what do we call hopelessness? I have not killed myself. That day, this day, maybe tomorrow. On Pak China? Like Nam, it goes. For some time, years in fact, I have been treated for smeal essays depression, $8,000 or $9,000 worth. Some of it has worked. Or was working. I had called back to memory -- not to on pak memory, exactly, but to smeal significance -- some pretty painful feelings of rejection as a child.

Chubby and friendless and franzen foster lonely. Smeal? I had come to acknowledge, more or less, the dominant principle of literature comparative essay, love in smeal essays, my life, how far I would go to get it, how terrified I was of losing it. The Crucible Abigail? I have done bad things for smeal love, bad things to two characters essay stay loved. Kate is smeal one case. Vietnam is essay wallace another.

More than anything, it was this desperate love craving that propelled me into a war I considered mistaken, probably evil. Essays? In college, I stood in peace vigils. I rang doorbells for thesis on pak relations Gene McCarthy, composed earnest editorials for the school newspaper. But when the draft notice arrived after graduation, the old demons went to work almost instantly. I thought about Canada. I thought about jail.

But in the end I could not bear the prospect of rejection: by my family, my country, my friends, my hometown. I would risk conscience and rectitude before risking the loss of love. I have written some of this before, but I must write it again. Smeal Essays? I was a coward. I went to literature comparative essay Vietnam. Y LAI, QUANG NGAI PROVINCE, FEBRUARY 1994 -- Weird, but I know this place. I've been here before. Smeal Essays? Literally, but also in my nightmares. One year after the massacre, Alpha Company's area of operations included the village of for thesis, My Lai 4, or so it was called on smeal, American military maps.

The Vietnamese call it Thuan Yen, which belongs to a larger hamlet called Tu Cung, which in turn belongs to an even larger parent village called Son My. But names are finally irrelevant. I am just here. Twenty-five years ago, knowing nothing of the homicides committed by comparing two characters American troops on the morning of March 16, 1968, Alpha Company walked through and around this hamlet on numerous occasions. Now, standing here with Kate, I can't recognize much. The place blends in essays, with all the other poor, scary, beleaguered villes in format, this area we called Pinkville. Even so, the feel of the place is as familiar as the old stucco house of my childhood. The clay trails, the essays, cow dung, the blank faces, the unknowns and unknowables.

There is the foster wallace, smell of sin here. Smells of smeal, terror, too, and enduring sorrow. What happened, briefly, was this. At approximately 7:30 on the morning of March 16, 1968, a company of roughly 115 American soldiers were inserted by helicopter just outside the village of My Lai. They met no resistance.

No enemy. No incoming fire. Still, for the next four hours, Charlie Company killed whatever could be killed. They killed chickens. They killed dogs and thesis relations cattle. They killed people, too. Lots of smeal, people. Women, infants, teen-agers, old men.

The United States Army's Criminal Investigation Division compiled a list of 343 fatalities and an independent Army inquiry led by Lieut. Gen. William R. Peers estimated that the death count may have exceeded 400. Format For Thesis Paper? At the Son My Memorial, a large tablet lists 504 names. According to Col.

William Wilson, one of the original Army investigators, The crimes visited on the inhabitants of smeal essays, Son My Village included individual and group acts of murder, rape, sodomy, maiming, assault on noncombatants and the mistreatment and killing of detainees. The testimony of one member of Charlie Company, Salvadore LaMartina, suggests the systematic, cold-blooded character of the slaughter: Q: Did you obey your orders? Q: What were your orders? A: Kill anything that breathed. Whether or not such instructions were ever directly issued is a matter of dispute. Two Characters Essay? Either way, a good many participants would later offer the explanation that they were obeying orders, a defense explicitly prohibited by the Nuremberg Principles and smeal the United States Army's own rules of war. Other participants would argue that the civilians at My Lai were themselves Vietcong.

A young soldier named Paul Meadlo, who was responsible for numerous deaths on on david foster wallace, that bright March morning, offered this appalling testimony: Q: What did you do? A: I held my M-16 on them. A: Because they might attack. Q: They were children and babies? Q: And they might attack? Children and babies? A: They might've had a fully loaded grenade on them.

The mothers might have throwed them at us. Q: Were the babies in their mothers' arms? Q: And the babies moved to attack? A: I expected at any moment they were about to make a counterbalance. Eventually, after a cover-up that lasted more than a year and after the massacre made nationwide headlines, the Army's Criminal Investigation Division produced sufficient evidence to charge 30 men with war crimes.

Of these, only essays, a single soldier, First Lieut. William Laws Calley Jr., was ever convicted or spent time in prison. Found guilty of the franzen essay foster wallace, premeditated murder of not less than 22 civilians, Calley was sentenced to life at hard labor, but after legal appeals and sentence reductions, his ultimate jail time amounted to three days in a stockade and four and a half months in prison. In some cases, judicial action was never initiated; in other cases, charges were quietly dropped. Calley aside, only a handful of men faced formal court-martial proceedings, either for war crimes or for subsequent cover-up activities, with the end result of five acquittals and four judicially ordered dismissals. Among those acquitted was Capt. Ernest Medina, who commanded Charlie Company on the morning of March 16, 1968. All this is history.

Dead as those dead women and kids. Even at the time, most Americans seemed to shrug it off as a cruel, nasty, inevitable consequence of war. There were numerous excuses, numerous rationalizations. Smeal Essays? Upright citizens decried even the small bit of justice secured by the conviction of Lieutenant Calley. Now, more than 25 years later, the villainy of that Saturday morning in comparative, 1968 has been pushed off to the margins of memory. In the smeal essays, colleges and high schools I sometimes visit, the mention of on pak china, My Lai brings on null stares, a sort of puzzlement, disbelief mixed with utter ignorance.

Evil has no place, it seems, in our national mythology. Smeal? We erase it. Essay? We use ellipses. We salute ourselves and take pride in America the White Knight, America the Lone Ranger, America's sleek laser-guided weaponry beating up on essays, Saddam and his legion of devils. t's beginning to the crucible character rain when Kate and I sit down to talk with two survivors of the slaughter here. Mrs. Smeal? Ha Thi Quy is a woman of 69 years. Her face is part stone, part anguish as she describes through an interpreter the literature, events of that day.

It's hard stuff to hear. Smeal? Americans came here twice before, Mrs. Quy says. Nothing bad happened, they were friendly to us. But on comparing two characters, that day the smeal, soldiers jumped out of their helicopters and immediately began to shoot. I prayed, I pleaded. As I take notes, I'm recalling other prayers, other pleadings. A woman saying No VC, no VC, while a young lieutenant pistol-whipped her without the least expression on his face, without the least sign of distress or moral uncertainty.

Mad Mark, we called him. Format For Thesis? But he wasn't mad. He was numb. He'd lost himself. Smeal? His gyroscope was gone. He didn't know up from down, good from bad. Mrs. Literature? Quy is crying now. I can feel Kate crying off to my side, though I don't dare look. The Americans took us to a ditch. Essays? I saw two soldiers with red faces -- sunburned -- and they pushed a lot of people into the ditch.

I was in franzen essay on david foster wallace, the ditch. Essays? I fell down and many fell on comparing essay, top of me. Smeal? Soldiers were shooting. The Crucible Abigail Essay? I was shot in the hip. The firing went on and on. It would stop and then start again and then stop. Smeal Essays? Now I hear Kate crying, not loud, just a certain breathiness I've come to recognize. This will be with us forever.

This we'll have. My notes take a turn for the worse. I lay under the dead in thesis on pak china relations, the ditch. Around noon, when I heard no more gunfire, I came out of the ditch and saw many more. Essays? Brains, pieces of body. My house was burned.

Cattle were shot. I went back to the ditch. Three of my four children were killed. I'm exhausted when Mrs. Quy finishes. Partly it's the sheer magnitude of horror, partly some hateful memories of comparing two characters essay, my own.

I can barely wire myself together as Mrs. Truong Thi Le, another survivor, recounts those four hours of murder. Out of her family of 10, 9 died that day. I fell down, Mrs. Le tells us.

But I was not shot. I lay with three other bodies on me, all blood. Smeal? Did not move at all. Pretended dead. Essay? Saw newborn baby near a woman. Woman died. Infant still alive. Soldiers came up. Shot baby. Outside, the rain has let up.

Kate, Eddie and I take a walk through the essays, hamlet. The Crucible Character Essay? We stare at foundations where houses used to smeal essays stand. Format For Thesis? We admire a harsh, angular, defiant, beautiful piece of sculpture, a monument to smeal the murdered. Mrs. Quy accompanies us for a while. She's smiling, accommodating. Literature? Impossible, but she seems to like us. At one point, while I'm scribbling in my notebook, she pulls down her trousers. Essays? She shows Kate the scarred-over bullet hole in her hip.

Kate nods and makes sounds of sympathy. What does one say? Bad day. World of hurt. ow the thesis on pak china relations, rain is back, much harder. I'm drenched, cold and smeal essays something else.

Eddie and I stand at wallace the ditch where maybe 50, maybe 80, maybe 100 innocent human beings perished. I watch Eddie snap his pictures. Here's the something else: I've got the guilt chills. Years ago, ignorant of the massacre, I hated this place, and places much like it. Two miles away, in an almost identical hamlet, Chip was blown into his hedge of bamboo. A mile or so east, Roy Arnold was shot dead, I was slightly wounded. A little farther east, a kid named McElhaney died. Just north of here, on a rocky hillside, another kid, named Slocum, lost his foot to a land mine. It goes on. I despised everything -- the smeal, soil, the tunnels, the paddies, the poverty and franzen essay foster wallace myself.

Each step was an act of the smeal essays, purest self-hatred and self-betrayal, yet, in truth, because truth matters, my sympathies were rarely with the Vietnamese. I was mostly terrified. I was lamenting in advance my own pitiful demise. After fire fights, after friends died, there was also a great deal of anger -- black, fierce, hurting anger -- the kind you want to take out on whatever presents itself. Apa Style Format? This is not to essays justify what occurred here. Justifications are empty and outrageous.

Rather, it's to franzen on david wallace say that I more or less understand what happened on that day in March 1968, how it happened, the wickedness that soaks into your blood and smeal heats up and starts to sizzle. I know the boil that precedes butchery. At the same time, however, the men in the crucible abigail character essay, Alpha Company did not commit murder. Essays? We did not turn our machine guns on thesis on pak, civilians; we did not cross that conspicuous line between rage and smeal essays homicide. I know what occurred here, yes, but I also feel betrayed by comparative essay a nation that so widely shrugs off barbarity, by smeal a military judicial system that treats murderers and common soldiers as one and the same.

Apparently we're all innocent -- those who exercise moral restraint and those who do not, officers who control their troops and officers who do not. In a way, America has declared itself innocent. I look away for style a time, and then look back. By most standards, this is not much of a ditch. A few feet deep, a few feet wide. The rain makes the greenish brown water bubble like a thousand tiny mouths. The guilt has turned to a gray, heavy sadness. I have to take my leave but don't know how. After a time, Kate walks up, hooks my arm, doesn't say anything, doesn't have to, leads me into a future that I know will hold misery for both of us. Different hemispheres, different scales of atrocity. I don't want it to happen.

I want to tell her things and be understood and essays live happily ever after. I want a miracle. That's the final emotion. On Pak Relations? The terror at this ditch, the certain doom, the need for smeal God's intervention. AMBRIDGE, JUNE 1994 -- I've been trying to perform good deeds. I bought a Father's Day card three days early. Relations? I made appointments for smeal a physical exam, dental work, a smoke-ender's program. I go for walks every day.

I work out, draw up lists, call friends, visit lawyers, buy furniture, discharge promises, keep my eyes off the comparative, sleeping pills. The days are all right. Now the clock shows 3:55 A.M. I call NERVOUS and smeal essays listen to essay style exams an automated female voice confirm it. The nights are not all right. I write these few words, which seem useless, then get up and smeal pull out an comparative essay album of photographs from the Vietnam trip.

The album was Kate's parting gift. On the essays, cover she inserted a snapshot that's hard to look at but harder still to on david foster avoid. Smeal Essays? We stand on China Beach near Danang. Side by side, happy as happy will ever be, our fingers laced in a fitted, comfortable, half-conscious way that makes me feel a gust of hope. It's a gust, though, here and comparative gone. Numerous times over the past several days, at smeal essays least a dozen, this piece has come close to essay hyperspace.

Twice it lay at the bottom of a wastebasket. I've spent my hours preparing a tape of songs for Kate, stuff that once meant things. Corny songs, some of them. Happy songs, love-me songs. Today, scared stiff, I deposited the tape on smeal essays, her doorstep.

Another gust of on david wallace, hope, then a whole lot of stillness. HE SONG TRA HOTEL, QUANG NGAI CITY, FEBRUARY 1994 -- Kate's in the shower, I'm in history. Smeal Essays? I sit with a book propped up against the air-conditioner, underlining sentences, sweating out my own ignorance. Twenty-five years ago, like most other grunts in the crucible abigail character essay, Alpha Company, I knew next to nothing about this place -- Vietnam in general, Quang Ngai in smeal essays, particular. Now I'm learning. Essay Style Exams? In the years preceding the murders at My Lai, more than 70 percent of the villages in this province had been destroyed by smeal essays air strikes, artillery fire, Zippo lighters, napalm, white phosphorus, bulldozers, gunships and comparative other such means. Roughly 40 percent of the population had lived in refugee camps, while civilian casualties in the area were approaching 50,000 a year. These numbers, reported by the journalist Jonathan Schell in smeal essays, 1967, were later confirmed as substantially correct by Government investigators.

Not that I need confirmation. Back in 1969, the wreckage was all around us, so common it seemed part of the geography, as natural as any mountain or river. Wreckage was the rule. Brutality was S.O.P. Scalded children, pistol-whipped women, burning hootches, free-fire zones, body counts, indiscriminate bombing and two characters essay harassment fire, villages in ash, M-60 machine guns hosing down dark green tree lines and any human life behind them. In a war without aim, you tend not to aim. Smeal Essays? You close your eyes, close your heart. The consequences become hit or miss in the most literal sense. With so few military targets, with an character essay enemy that was both of and among the essays, population, Alpha Company began to regard Quang Ngai itself as the true enemy -- the physical place, the soil and paddies.

What had started for us as a weird, vicious little war soon evolved into something far beyond vicious, a hopped-up killer strain of franzen on david wallace, nihilism, waste without want, aimlessness of deed mixed with aimlessness of spirit. As Schell wrote after the events at smeal My Lai, There can be no doubt that such an atrocity was possible only because a number of other methods of killing civilians and destroying their villages had come to format be the smeal, rule, and not the exception, in our conduct of the war. I look up from my book briefly, listen to Kate singing in the shower. Franzen Essay On David Wallace? A doctoral candidate at Harvard University, smart and sophisticated, but she's also fluent in joy, attuned to the pleasures and beauty of the world. She knows the lyrics to Hotel California, start to finish, while here at essays the air-conditioner I can barely pick out the simplest melodies of Vietnam, the most basic chords of history. It's as if I never heard the song, as if I'd gone to character war in some mall or supermarket. I discover that Quang Ngai Province was home to one of Vietnam's fiercest, most recalcitrant, most zealous revolutionary movements. Independent by tradition, hardened by essays poverty and rural isolation, the people of Quang Ngai were openly resistant to French colonialism as far back as the 19th century and were among the first to rebel against France in the 1930's.

The province remained wholly under Vietminh control throughout the war against France; it remained under Vietcong control, at least by night, throughout the years of war against America. Even now, in the urbane circles of Hanoi and Ho Chi Minh City, the people of Quang Ngai are regarded as a clan of exams, stubborn country bumpkins, coarse and insular, willfully independent, sometimes defiant of the very Government they had struggled to install. Like a different country, our interpreter told us after a long, frustrating session with representatives of the Quang Ngai People's Committee. These people I don't like much, very crude, very difficult. Smeal Essays? I think you had horrible bad luck to fight them. At noon, by appointment, a Vietnamese journalist named Pham Van Duong knocks on our door. It's a secret meeting of sorts. Nothing illegal -- a couple of writers, a couple of beers -- but I've still got the comparing two characters essay, buzz of some low-level paranoia. Earlier in smeal, the day, our joint request for this interview had been denied by a stern, rather enigmatic functionary of the People's Committee. Impossible, we were told.

Not on the schedule. The official offered little sympathy for our interpreter's reminder that schedules are man-made, that blocks of time appeared wide open. Logic went nowhere. Bureaucratic scowls, stare-into-space silence. Exams? A few minutes later, just outside the provincial offices, we quietly huddled to make our own unsanctioned arrangements. Now, as Mr. Duong sits down and accepts a beer, I'm feeling the vigilant, slightly illicit anxiety of smeal essays, a midday drug buy. Kate locks the door; I close the drapes.

Ridiculous, or almost ridiculous, but for the first 10 minutes I sit picturing prison food, listening for footsteps in thesis china relations, the hallway. Our interpreter explains to Mr. Duong that I will happily guard his identity in any written account of this conversation. Mr. Duong snorts at the suggestion. Only a problem in smeal, Quang Ngai, he says.

Officials in Hanoi would be glad for our talking. They wish good relations with America -- good, new things to essay happen. Maybe I get a medal. Sell the medal, buy Marlboros. We click beer bottles. For the next two hours we chat about smeal essays, books, careers, memories of war. Franzen On David Wallace? I ask about My Lai. Mr. Duong looks at the wall. Essays? There is a short hesitation -- the hesitation of tact, I suppose.

He was 8 years old when news of the massacre reached his village nearby. Comparing Two Characters Essay? He recalls great anger among his relatives and friends, disgust and sadness, but no feelings of shock or surprise. This kind of essays, news came often, he says. We did not then know the scale of the the crucible character essay, massacre, just that Americans had been killing people. But killing was everywhere.

Two years later, Mr. Duong's brother joined the essays, 48th Vietcong Battalion. Thesis China? He was killed in 1972. My mother fainted when she heard this. She was told that his body had been buried in a mass grave with seven comrades who died in the same attack.

This made it much worse for smeal essays my mother -- no good burial. Style? After liberation in 1975, she began to look for my brother's remains. She found the essays, mass grave 20 kilometers south of Quang Ngai City. She wished to dig, to rebury my brother, but people told her no, don't dig, and in the beginning she seemed to accept this. Then the Americans returned to abigail essay search for their own missing, and my mother became very angry. Why them? Not me? So she insisted we dig. We found bones, of course, many bones mixed together, but how could we recognize my brother? How could anyone know? But we took away some bones in a box.

Reburied them near our house. Every day now, my mother passes by smeal this grave. She feels better, I think. Better at least to tell herself maybe. Kate looks up at me. Thesis Relations? She's silent, but she knows what I'm thinking. Smeal Essays? At this instant, a few blocks away, an American M.I.A. search team is headquartered at the Quang Ngai Government guesthouse. With Vietnamese assistance, this team and others like it are engaged in precisely the work of Mr. Duong's mother, digging holes, picking through bones, seeking the couple thousand Americans still listed as missing.

Which is splendid. And which is also utterly one-sided. A perverse and style outrageous double standard. What if things were reversed? What if the Vietnamese were to ask us, or to require us, to locate and identify each of essays, their own M.I.A.'s? Numbers alone make it impossible: 100,000 is a conservative estimate. Maybe double that. Maybe triple. From my own sliver of experience -- one year at on pak china war, one set of eyes -- I can testify to the lasting anonymity of a great many Vietnamese dead. I watched napalm turn villages into ovens. I watched burials by bulldozer.

I watched bodies being flung into trucks, dumped into wells, used for essays target practice, stacked up and burned like cordwood. Even in the abstract, I get angry at the stunning, almost cartoonish narcissism of American policy on this issue. I get angrier yet at the narcissism of an essay American public that embraces and breathes life into the policy -- so arrogant, so ignorant, so self-righteous, so wanting in the most fundamental qualities of sympathy and fairness and mutuality. Smeal? Some of this I express aloud to foster Mr. Duong, who nods without comment. We finish off our beers. Neither of us can find much to say. Maybe we're both back in history, snagged in brothers and bones.

I feel hollow. So little has changed, it seems, and so much will always be missing. AMBRIDGE, JUNE 1994 -- June 11, I think -- I'm too tired to essays find a calendar. Almost 5 A.M. In another hour it'll be 5:01. I'm on war time, which is the time we're all on at one point or another: when fathers die, when husbands ask for divorce, when women you love are fast asleep beside men you wish were you. The tape of songs did nothing. Essay Exams? Everything will always do nothing. Kate hurts, too, I'm sure, and did not want it this way. I didn't want it either.

Even so, both of us have to live in these slow-motion droplets of now, doing what we do, choosing what we choose, and in different ways both of us are now responsible for the casualty rotting in the space between us. If there's a lesson in this, which there is not, it's very simple. You don't have to be in Nam to be in Nam. HE BATANGAN PENINSULA, QUANG NGAI PROVINCE, FEBRUARY 1994 -- The Graveyard, we called it. Littered with land mines, almost completely defoliated, this spit of land jutting eastward into the South China Sea was a place Alpha Company feared the way others might fear snakes, or the smeal, dark, or the bogyman. Relations? We lost at least three men here; I couldn't begin to count the arms and legs. Today our little caravan is accompanied by Mr. Ngu Duc Tan, who knows this place intimately, a former captain in essays, the 48th Vietcong Battalion.

It was the 48th that Alpha Company chased from essay, village to village, paddy to essays paddy, during my entire tour in Vietnam. Chased but never found. Format For Thesis Paper? They found us: ambushes, sniper fire, nighttime mortar attacks. Smeal Essays? Through our interpreter, who passes along commodious paragraphs in crisp little packets, Mr. Tan speaks genially of essay on david, military tactics while we make the bumpy ride out toward the Batangan. U.S. troops not hard to see, not hard to fight, he says. Much noise, much equipment. Big columns. Nice green uniforms.

Sitting ducks, in other words, though Mr. Tan is too polite to express it this way. Smeal? He explains that the United States Army was never a primary target. We went after Saigon puppet troops, what you called ARVN. If we beat them, everything collapse, the U.S. would have nothing more to fight for. You brought many soldiers, helicopters, bombs, but we chose not to fight you, except sometimes. America was not the main objective.

God help us, I'm thinking, if we had been. All those casualties. All that blood and terror. Literature? Even at this moment, more than half a lifetime later, I remember the essays, feel of a bull's-eye pinned to my shirt, a prickly, when-will-it-happen sensation, as if I alone had been the main objective. Meanwhile, Kate is taking her own notes, now and then asking questions through the literature comparative essay, interpreter. She's better than I am at human dynamics, more fluid and smeal spontaneous, and after a time she gets Mr. Tan to essay style exams display a few war scars -- arms, legs, hands, cheek, chest, skull. Sixteen wounds altogether. The American war, he says, was just one phase in smeal, his career as a soldier, which began in 1961 and essay encompassed combat against the South Vietnamese, Khmer Rouge and smeal essays Chinese.

Talk about bad dreams. One year gave me more than enough to fill up the nights. My goal on the Batangan peninsula is to show Kate one of the prettiest spots on earth. I'm looking for a lagoon, a little fishing village, an impossibly white beach along the South China Sea. First, though, Mr. Tan attends to his own agenda. We park the van in one of the thesis on pak relations, inland hamlets, walk without invitation into a small house, sit down for lunch with a man named Vo Van Ba. Instantly, I'm thinking herring. Kate and smeal Eddie have the sense to decline, to tap their stomachs and say things like Full, full, thanks, thanks. Cans are opened. The house fills up with children, nephews, nieces, babies, cousins, neighbors.

There are flies, too. Many, many flies. Many thousand. Mr. Tan and Mr. Ba eat lunch with their fingers, fast and hungry, chatting amiably while our interpreter does her best to put the gist of it into English.

I'm listening hard, chewing hard. I gather that these two men had been comrades of exams, a sort during the war. Mr. Ba, our host, was never a full-time soldier, never even a part-time irregular. As I understand it, he belonged to what we used to call the smeal essays, VC infrastructure, offering support and intelligence to Mr.

Tan and his fighting troops. I lean forward, nod my head. The focus, however, is on the substance I'm swallowing, its remarkable texture, the china relations, flies trying to get at it. For five years, Mr. Ba explains, he lived entirely underground with a family of eight. Smeal? Five years, he repeats. Cooking, bathing, working, sleeping. He waits for the translation, waits a bit longer, then looks at style exams me with a pair of smeal essays, silvery, burned-out, cauterized, half-blind, underground eyes. You had the daylight, but I had the earth. Mr.

Ba turns to abigail Mr. Tan. After a second he chuckles. Smeal? Many times I might reach up and take this man's leg. Many times. Very easy. I might just pull him down to where the war was. e're on apa style, foot now. Even at smeal 59, Mr.

Tan moves swiftly, with the grace and authority of a man who once led soldiers in combat. Wallace? He does not say much. He leads us toward the ocean, toward the quaint fishing village I'm hoping to essays show Kate, but along the way there is one last item Mr. Tan wishes to show me. Essay? We move down a trail through two or three adjacent hamlets, seem to circle back for a time, end up in front of another tiny house. Mr. Tan's voice goes into command tone -- two or three sharp, snapping words.

A pair of boys dart into essays, the house. For Thesis? No wasted time, they come out essays, fast, carrying what's left of a man named Nguyen Van Ngu. The Crucible Abigail Character Essay? They balance this wreckage on smeal, a low chair. Both legs are gone at the upper-upper thigh. We shake hands. Neither of us knows what to say -- there is nothing worth saying -- so for a few minutes we exchange stupidities in our different languages, no translator available to wash away the essay style, helplessness. We pose for photographs. We try for smiles.

Mr. Tan does not smile. Essays? He nods to on david himself -- maybe to me. But I get the point anyway. Here is your paradise. Here is your pretty little fishing village by the sea. Two minutes later, we're on essays, the beach. It is beautiful, even stunning. Kate wades out into the water. She's surrounded by kids. They giggle and splash her, she splashes back, and I stand there like an idiot, grinning, admiring the view, while Mr.

Tan waits patiently in the shade. AMBRIDGE, JULY 1994 -- Outside, it's the Fourth of essay on david foster, July. Lovely day, empty streets. Kate is essays where Kate is, which is elsewhere, and essay style exams I am where I am, which is also elsewhere. Someday, no doubt, I'll wish happiness for myself, but for now it's still war time, minute to minute. Not quite 11 A.M. Already I've been out for two walks, done the smeal essays, laundry, written a few words, bought groceries, lifted weights, watched the Fourth of essay wallace, July sunlight slide across my street-side balcony.

The beach, maybe? A backyard cookout? The hardest part, by far, is to make the bad pictures go away. On war time, the smeal, world is one long horror movie, image after image, and if it's anything like Vietnam, I'm in for a lifetime of wee-hour creeps. Meanwhile, I try to plug up the leaks and carry through on some personal resolutions. For too many years I've lived in paralysis -- guilt, depression, terror, shame -- and now it's either move or die. Over the past weeks, at profound cost, I've taken actions with my life that are far too painful for any public record. But at least the limbo has ended. Starting can start. There's a point here: Vietnam, Cambridge, Paris, Neptune -- these are states of mind. Minds change.

Y KHE, QUANG NGAI PROVINCE, FEBRUARY 1994 -- There is one piece of ground I wish to revisit above all others in franzen essay wallace, this country. I've come prepared with a compass, a military map, grid coordinates, a stack of after-action reports recovered from a dusty box in the National Archives. We're back near Pinkville, a mile or so east of My Lai. We are utterly lost: the interpreter, the van driver, the People's Committee representative, Eddie, Kate, me. I unfold the map and place a finger on the spot I'm hoping to find. A group of villagers puzzle over it. They chatter among themselves -- arguing, it seems -- then one of them points west, another north, most at the heavens.

Lost, that was the Vietnam of 25 years ago. The war came at smeal us as a blur, raw confusion, and my fear now is that I would not recognize the right spot even while standing on on pak china relations, it. For well over an hour we drive from place to place. We end up precisely where we started. Once more, everyone spills out smeal essays, of the van. The thought occurs to me that this opportunity may never come again. Franzen Foster? I find my compass, place it on the map and smeal look up for two characters essay a geographical landmark. A low green hill rises to smeal the west -- not much, just a hump on style exams, the horizon. I'm no trailblazer, but this works.

One eye on the compass, one eye on some inner rosary, I lead our exhausted column 200 yards eastward, past a graveyard and smeal out along a narrow paddy dike, where suddenly the world shapes itself exactly as it was shaped a quarter-century ago -- the curvatures, the tree lines, the precise angles and essay proportions. I stop there and smeal wait for Kate. This I dreamed of giving her. Franzen Foster? This I dreamed of sharing. Our fingers lock, which happens without volition, and smeal we stand looking out on literature comparative, a wide and essays very lovely field of rice.

The sunlight gives it some gold and yellow. There is no wind at comparing all. Before us is essays how peace would be defined in a dictionary for the speechless. I don't cry. I don't know what to do. At one point I hear myself talking about literature comparative, what happened here so long ago, motioning out at the rice, describing chaos and horror beyond anything I would experience until a few months later. I tell her how Paige lost his lower leg, how we had to probe for McElhaney in the flooded paddy, how the smeal essays, gunfire went on and on, how in the course of two hell-on-earth hours we took 13 casualties. I doubt Kate remembers a word. Maybe she shouldn't.

But I do hope she remembers the sunlight striking that field of comparing two characters essay, rice. I hope she remembers the feel of our fingers. I hope she remembers how I fell silent after a time, just looking out at the golds and yellows, joining the peace, and how in those fine sunlit moments, which were ours, Vietnam took a little Vietnam out of essays, me. O CHI MINH CITY, FEBRUARY 1994 -- We hate this place. Even the names -- Saigon, Ho Chi Minh City. A massive identity crisis. Too loud, too quiet.

Too alive, too dead. For all the discomforts of Quang Ngai Province, which were considerable, Kate and I had taken pleasure in comparing essay, those qualities of beauty and equanimity that must have vanished from Saigon when the first oil barge steamed into port. But we give it our best. An hour in the Chinese market district, which is like an hour in combat. Essays? Two hours at the old presidential palace -- as tawdry and corrupt as its former inhabitants.

We risk periodic excursions into streets where the American dollar remains more valuable than oxygen, of which there is precious little. Thesis? Maybe we've hit some interior wall. Maybe it's the diesel-heat. We visit a war-crimes museum, the essays, old American Embassy and order lunch by way of two characters essay, room service. Smeal? Western pop music blares at full volume from Government loudspeakers just outside our hotel. For hours, even with earplugs, we listen to As Tears Go By and My Way. What happened to Ho Chi Minh? What happened to revolution? All we've heard comes from the Beatles. In midafternoon, the essay foster wallace, music ceases. We go out for a short walk, do some shopping, then retreat to the rooftop swimming pool of the Rex Hotel.

It could as well be Las Vegas. We don't say so, not directly, but both Kate and I are ready to smeal essays evacuate, we're humming We gotta get out of this place. Pretty soon we'll be singing it over loudspeakers. For now, Kate lounges at the pool. She writes postcards.

She catches me watching. She snaps pictures to franzen on david foster show her children someday. Tim O'Brien is the author of several novels, some of them based on his experiences in the Vietnam War. Smeal Essays? His latest book, In the essay, Lake of the Woods, is due out this month.

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5 Tips for smeal essays Creating a Photo Essay with a Purpose. As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. Essay? A cast of smeal essays, characters all working together to format paper, get your point across. Instead of smeal essays, proper grammar, you ensure proper exposure. Instead of essay style exams, spelling errors, you watch for tack-sharp focus.

For those times when the story is essays, especially important and meaningful, or for on pak china relations when one image doesn’t say it all, there is the photographic essay. Smeal Essays? With blogging and comparing two characters social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to tell. Essays? I’ve mentioned before that taking on a photo project is one of comparative essay, my favorite ways to reignite my love for smeal photography, but beyond that, it’s a great way to apa style format paper, get your message across and have your work seen by a larger group. A photo essay is intriguing; it’s something to essays, talk about after people hear that you’re a photographer and format for thesis paper want to know about the glitz and glamour of it all. It’s the perfect thing to tell them after you’re done going on and on about all of the red carpets, the celebrities, the fame, and the fortune. It also can be extremely satisfying and smeal essays kick-start your creative wonderment. By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions.

It can be only images, images with captions, or images with full text. In short, it can be almost anything you want it to be. Which is thesis, where I struggle mostwhen the smeal essays options are limitless. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less. While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay: Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the on pak end result. An example: for smeal essays a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to be able to offer them a different spin on thesis, the portrait sessions I was doing for them. I asked a long-time client if her family could be my guinea pigs for this and told them that we could do whatever they wanted. Essays? We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning.

Then, very last, I photographed the essay style two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the smeal session and edited those last note pictures first just because they were so different from what I usually shoot, and posted them on my personal Facebook page the heading Notes Girls Write . Within minutes a dear friend, and thesis on pak relations fellow photographer, commented that this was big. Smeal Essays? Bigger than just the two pictures. She and format I would spend the next year working on smeal essays, a photo essay that became a blog, that in turn became a book entitled Notes Girls Write . Thesis Relations? We photographed hundreds of women of all ages with their notes, each one later expressing having their portrait taken with their own words was an extremely powerful moment for them. Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in smeal essays, the 4th grade for “Most Patient”, Notes Girls Write is one of my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in viewers and becoming a large and powerful project, one of the biggest markers in my career so far. TIP: Don’t be so set in style exams, your idea that your project can’t outgrow your original concept. Your images will guide you to your end result, which may end up being different than you originally envisioned it. 2) If you think there’s something there, there’s likely something there. For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from smeal essays, overpopulated shelters, or seized from terrible situations, to my area, where dog adoption rates are much higher.

These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes. It’s incredibly rewarding. Especially when I had hardwood floors. I knew from the comparative essay first time I met the transport van I wanted to smeal essays, document what it looked like: a van full of dogs that just narrowly escaped death arriving to apa style format paper, temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. I am also put to work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine.

I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to raise awareness, or to help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the smeal essays images, ready for their time, whenever that is. TIP: If you think there is something to format, it, there likely is. Smeal? Even if it’s just a personal passion project. Take photos until you find the direction or purpose and literature comparative save them until your essay takes shape.

You may not end up using all, or any of the images, but in continuing to take photographs, your project will be defined. I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting. Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the better. This is one of the smeal few times I push my luck and ask my subjects to format for thesis, work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the added advantage of essays, not pushing people until they cry or yell). Don’t be shy. Shoot everything you know you don’t need, just in case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready.

Take advantage of digital (if that’s how you shoot) and fill a memory card. Apa Style Paper? You may end up trashing everything, or you may not. Smeal? I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in the very beginning I ended up with some shots that told complete stories and thesis on pak china relations expanded on essays, the original concept. TIP: Think big. If you are shooting an on david foster essay where mountains are your subject matter, see the mountain in pieces and photograph the surrounding trees, rocks, and whatever else.

This will save you having to return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned. Essays? 4) Ask for help with image selection. Thesis On Pak China? I struggle with this oneI let my personal feelings get involved. Smeal? Throughout our Notes Girls Write project I was constantly picking images based on two characters essay, my personal feelingsthe subjects that I had connected with more, and the girls that I knew were most interested in the project. This is where it is so helpful to smeal, have someone else help. Someone who has no personal feelings towards the images and will help you pick based only on abigail essay, the strength of the smeal essays image and not your own feelings. Even if people were not involved as subjects, you tend to have personal feelings toward images that the general public may not see the power behind. I recently photographed several dozen sexual assault survivors as part of a photographic essay for a victim advocacy’s annual gallery show. This event is meant to put faces on the survivors and raise awareness, and has been a large local event for years.

I was thrilled to be selected to be the format for thesis exclusive photographer, though this was one of the essays hardest projects I’ve ever taken on. The photo sessions themselves, whether five minutes or 30, were extremely emotional for essay on david foster the survivors and in the time I spent with them, I often learned a lot about their journey and essays experience. Thesis On Pak Relations? This made it difficult for smeal essays me to pick which final images would be used for the show, based only on the power of the image and not my personal feelings. In the end several select friends helped me narrow each survivor’s images down, and format paper the subjects themselves selected which would be the smeal essays final image used, as ultimately this is their story. TIP: All creative work is personal, and looking at photographs we take ourselves is incredibly hard to do with clear eyes.

We see the mistakes, the personal feelings, the shot that could have been better. It’s impossible to always set these aside so when working on a project that is incredibly important to style, you, or large in scale. Have others help you decide what images to essays, use for your final pieces. Bring in comparing two characters, people who are interested in photography and people that aren’t. People that know about your subject matter and people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings. Lastly, also bring a thick skin. 5) Tell your story, in fact shout it from the rooftops if you can. Maybe your original idea for your photographic essay was to post it on your blog.

Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an organization, or a person? Could it inspire people? If you feel passionately about the photos, chances are that someone else will too. Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to create a photographic essay, there are likely “readers” for your story.

TIP: This isn’t the time to be humble. Taking on a photo essay is a large endeavour. Smeal? While there’s nothing wrong with having it be something you only literature essay did for essays your own personal growth, showing it around can be helpful both in experience and longterm benefit. Post it on social media, find appropriate places your essay could be displayed, and relations think about smeal essays how it helped you. Every single photo essay I have done has led to an outstanding connection, or more work, and there is nothing wrong with getting those things along with the style personal gain of accomplishing something you’re proud of. The ideas are truly for a photographic essay are limitless. Truly.

Want a few more ideas for projects, try these? Have you ever done a photographic essay? What is essays, your experience? Share with in the comments if you have, or have considered it. If you haven’t, what are you waiting for?

Read more from our Tips Tutorials category. Lynsey Mattingly photographs families, kids, couples, and other groups of people who, for whatever reason, kind of comparing essay, like each other. Her portrait work has been featured in essays, People Magazine, Us Weekly, BBC Magazine, and on essay wallace, national TV including CNN, Oprah, and Ellen, but most importantly, in the personal galleries of clients across the smeal essays country. Her photography can be viewed at www.lynseymattingly.com or on Facebook. Excellent post Lynsey. I suffer from the apa style paper same challenges as you in smeal, tip #4. I get caught up in my personal meaning behind some of my pictures. Apparently, others feel the same way. http://www.picture-power.com/my-most-powerful-picture.html.

I have an idea for a photo essay I wanted to pursue, this article helped grow it further. Style? Thank you. Wonderful article. I liked the picture for #3. This is the smeal essays main reason why I think a blog is a much more interesting format than a photo sharing site such as flickr or 500px to show your work; for me, the images are just part of the story, but the words and thesis relations texts can help define them, giving them context and body. For me, an smeal image rarely works alone and format for thesis paper usually comes in a set with a particular rhythm and smeal essays flow; what precedes and what follows is on pak relations, a very important element of smeal, each capture, as well. One example from my blog, a short walk that I took recently along a humble neighborhood in Bangkok: I think the issue in essay foster wallace, Tip #4 is essays, common to all creative endeavors: We all get too close to thesis on pak relations, the material. In a previous life, I was a writer and editor, but when it came time for me to edit my own stuff, I had somebody else look at essays it. We have too much of ourselves tied up in essay foster, the work to smeal essays, be objective sometimes.

Wonderful article, thank you #128578; some of the examples are awesome and thought-filling. Two Characters? Thank-you for telling me about this!! It pretty much rocks. I am so glad that I came across this article this morning. I am no pro photographer but just someone who loves capturing images to share. I have been asked to volunteer my time to capture a group of students in Beijing, who would be traveling to Xian, the home of the terracotta warriors, to smeal essays, help out in a orphanage just 2 weeks from now. On Pak China Relations? I have never done this before. They are not expecting much.

Just pictures for essays the event. However, I wanted to tell a story. Comparing Essay? A story of these volunteers as well as the orphans and I have been struggling over the past week of whether is that what I should do. After reading this article, I know that I am on smeal essays, the right path and hopefully help not to take pictures of people, but take pictures of the abigail story behind the people. Thank you again very much. This is my first opportunity to use my hobby for a good cause, and I am very excited about it. Thank you again for this great article. Really good points and very motivational to get me on a riveting photo essay again.

I did attempt one such photographic essay which I titled #8220;The World of smeal, Weeds.#8221; Would appreciate a few visits with any helpful comments or critiques. On David Foster? It#8217;s over at one of smeal essays, my blogs and can be found here: http://thegoldenumber.blogspot.com/2013/07/the-world-of-weeds.html. you have some beautiful images there, but I would keep the focus similar. the shift in china relations, focus from 1, 2, 3 and essays 5 is radical. 5 the green plant on the corner and then 7 seems another sudden change. The drain-pipe is beautiful because the comparative essay eye follows the path of the pipe and essays so tightly focused. It seems to be erratic because you have the wonderful still life of dried plants against format for thesis paper, nearly solid backdrops like walls and then sudden change to green plants that don#8217;t seem to have the same focus.. but the dried plants and wall work, the drain beautiful and interesting. The green plants against walls work well with dried plants because they have similar conceptual style. Overall, is interesting group and should be developed some more. I recently completed my first photo essay as an eBook. It took me a long time to figure out how to work with iBooks Author, but it was a great platform to construct such a vehicle to display digital photographs in a meaningful way. Unfortunately, it only publishes to iBooks, which translates, effectively, to having the eBook only on iPads. Smeal? Photo essays in black and white.

This post inspired me to style, start my website of smeal, photo essays. Essay? My current ongoing series is about a band I went on tour with and the different things I learned and encountered: http://www.quietandconstant.com/on-tour-with-lemuria-part-1/ I recently made a photo essay which was published in a mainstream web portal so I#8217;m quite happy about that. I agree that sometimes, photographs have to smeal essays, be put in style, context by using words to essays, string them together. Also believe that any subject can be turned into a photo essay. The Photo Essay is a piece where its the photographer#8217;s voice through and through. Landscape Photography Tips. Photo Composition Tips. Beginner Photography Tips. Apa Style Paper? 2006 - 2017 Digital Photography School, All Rights Reserved / Disclaimer.

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